Capacity Plan, Q1
Why the quarter was impossible in week one
Two writers, one editor, a designer at a fifth of a week. A fictional instruments manufacturer, Havelock.
| Stage | Owner | Touch hours per piece | Hours available per week | Capacity per week |
|---|---|---|---|---|
| Brief | Editor | 3 | 12 | 4.0 |
| Draft | Two writers | 16 | 40 | 2.5 |
| Edit | Editor | 6 | 9 | 1.5 |
| Design | Designer, 0.2 FTE | 4 | 7.5 | 1.9 on 60% of pieces |
| Schedule | Editor | 0.5 | 5 | 10.0 |
Nine hours. That is what was left of a full-time editor's thirty-five hour week after twelve hours of brief writing, five of scheduling, three of calendar admin and six of standing meetings. Six hours per piece against nine available is one and a half pieces a week, and it was the lowest number in the pipeline, so it was the pipeline.
Thirteen weeks at 1.5 is 19.5. The plan committed 24, drafts arrived at 2.5 a week, and the queue grew by one piece a week until March. Delivered 17, eleven of them on the promised date.